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1. Literary Theory and CriticismVolume 23, Issue 1 (September 2023)pp. 1–20PDF of Spatial Mobility and Female Agency in Aiwanose Odafen’s Tomorrow I Become A Woman

   Spatial Mobility and Female Agency in Aiwanose Odafen’s Tomorrow I Become A Woman

   Ugomma Divine Iroakaze and Chiamaka Amalachukwu Ugoka

   Women’s mobility and access to space remain deeply constrained by patriarchal structures that regulate movement, identity and self-expression. In literary representations of women’s lives, these spatial restrictions … gendered power relations and limit female autonomy. Drawing on Henri Lefebvre’s theory of space and an African feminist framework, this qualitative study examines how spatial mobility and female agency

2. Literary Theory and CriticismVolume 25, Issue 1 (September 2025)pp. 234–247PDF of Microaggressions and the Negotiation of Black Identity in Chimamanda Adichie’s Americanah

   Microaggressions and the Negotiation of Black Identity in Chimamanda Adichie’s Americanah

   Eze Nnaemeka Richard and Obasi Ngozika Linda

   microaggressions as a significant mechanism through which Black immigrant identities are negotiated within transnational spaces

3. Linguistic Analysis and Discourse StudiesVolume 23, Issue 2 (September 2023)pp. 48–79PDF of From Objects To Ensembles: Testing A Multimodal Rhetoro-Pragmatic Theory In The Office of A Cultural Historian

   From Objects To Ensembles: Testing A Multimodal Rhetoro-Pragmatic Theory In The Office of A Cultural Historian

   Adegboye ADEYANJU

   Abuja, Nigeria. The study addresses a problem in multimodal analysis: culturally and institutionally meaningful spaces are not adequately explained when objects are treated as isolated signs or when visual meaning

4. Volume 22, Issue 2 (September 2022)pp. 1–24PDF of Colonial Othering, Fractured Identity, and the Ethics of Reconciliation, A Re-reading of Veronique Tadjo’s The Shadow of Imana: Travels in the Hearts of Rwanda.

   Colonial Othering, Fractured Identity, and the Ethics of Reconciliation, A Re-reading of Veronique Tadjo’s The Shadow of Imana: Travels in the Hearts of Rwanda.

   Anthonia-Greg Nwanekwu Chibuoke, Caroline Olubunmi Nwaka and Goodluck Chinenye Kadiri

   past but as an ethical response to historical violence. Through survivor testimony, memorial spaces, writing, and the recovery of suppressed experiences, the narrative transforms witnessing into a form of resistance