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Tunde O. Adebayo, Ifeoma C. Obi and Kelechi U. Nnamdi
This article explores how post-independence Nigerian playwrights adapt ritual forms to stage political satire. Through close reading of selected plays and their performance histories, it argues that ritual structure … gives satire a communal authority that protects it from censorship. The paper situates these plays within debates on the social function of African theatre