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Petrina Ebinehita Gber and Joy Nwiyi
attract attention within Nigerian literary studies. This study addresses the problem of traumatized voicing among relatives of sick characters in contemporary Nigerian fiction. While illness has often been examined from … Stay with Me, examining how the authors’ succinctly capture the disorientation and fragmented voices of relatives as they struggle with the dual task of caregiving and self-preservation. The findings
Endurance Umhanlen and Esther Korakpe
Abuse and victimisation of persons with disabilities (PWDs) are recurring concerns in
Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
particularly from a psychosomatic perspective. This article argues that bodily imagery, physical sensation, movement, voice, and rhythm in selected poems by Angelou and Brathwaite provide important means through which psychological … selected poems by the two poets, examining bodily images, somatic expressions, corporeal metaphors, movement, voice, and rhythmic structures in relation to the psychological and historical experiences represented in the poems
Taiwo, Joshua AJENIFARI
establish relationships among successive claims. Quotation marks distinguish reported assertions from the editorial voice, creating pragmatic distance and foregrounding contradictions in official accounts. Apostrophes and hyphens further contribute to grammatical
Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
poetic language. It focuses on how patterns of rhythmic regularity and deviation shape voice, emphasis, emotional tension, memory, identity, and representations of social experience. The analysis demonstrates that Brooks frequently
Philip Umaru and Esther Temitayo Adelana
that African literature remains relevant in addressing contemporary global crises, by serving as a voice of resistance, advocacy for justice, accountability and social criticism
Esther Chiebonam Osiaku and Henrietta Nnenna Ugwu
contextual strategies of shared situation knowledge (SSK), reference (REF), relevance (REL) and voice (VCE). A qualitative research design was employed, using six audio-visual recordings purposively selected from four YouTube
Chigbu, Andrew Chigbu and Onyeka J Uzuegbu
either villains or redeeming figures. It uses close reading to examine characterization, dialogue, narrative voice, and plot developments that reveal the motivations, actions, and relational dynamics of male characters. Through