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Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
Last Duchess,” “The Laboratory,” “Andrea del Sarto,” and “Porphyria’s Lover.” It argues that possession in these poems emerges from a desire to restrict, appropriate, or eliminate women’s capacity … marriage, and psychological conflict, the relationship between the denial of female autonomy and the possessive exercise of power requires further comparative attention. Drawing on Feminist Literary Theory, the study employs
Olusegun J. Omoboye and Samuel. A. Akinwotu
attention-captivating expressions and they employ linguistic markers of attitude -the interrogative pronoun ‘what’, possessive adjective ‘my’, verbs/adverbs ‘please’, etc- to express their concern, worry and curiosity. The study concludes
Benjamin Nwabuisi Abia, Anya Ude Egwu and Mary J. N. Okolie
that power acts on characters both as an enabling gift and as an invasive, possessing force, and that ritual works as an archetype that keeps cosmic and socio-political order