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Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
poems participates in the production of these meanings. This study examines rhythm as a formal principle in selected poems by Brooks, arguing that rhythm is not merely a sonic embellishment … active element in the construction of poetic meaning. Drawing on literary Formalism and close textual analysis, the study investigates the effects of repetition, stress, pause, lineation, syntax, rhyme, and rhythmic
Emmanuel Ogbonna Okoro
group social actors negatively. These discursives embed anti-separatism, moral righteousness, legal formalism, national security, state legitimacy, and judicial authority ideologies to construct the decisions of the court as legal
Taiwo, Joshua AJENIFARI
Analysis model and securitization theory (Balzacq, 2005; Buzan et al., 1998) provide the two formal frameworks. Pragmatic speech-act functions are used only as a supporting descriptive lens. The analysis
Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
largely focused on Caribbean history, African cultural memory, colonialism, diaspora, nation language, rhythm, and formal experimentation. However, the relationship between psychological experience and bodily expression in the two writers' poetry
Fater VANGER and Chika O. OSE-AGBO
environment has continued as a colonial residue, with natural elements constantly destroyed decades after formal colonialism ended. Postcolonial writers, particularly Eco-poets, have foregrounded environmental destruction