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Thomas-Michael Emeka Chukwumezie and Okechukwu Emmanuel Agu
strong nexus between memory and Caribbean literature is linked to the testimony of their past collective experiences. A close reading of Andrea Levy’s Fruit of the Lemon … their descendants in the contemporaneity. Such experiential reverberation informs on the reality of racial memory; a broad term that captures an individual’s racial heritage. It can also be construed
Anthonia-Greg Nwanekwu Chibuoke, Caroline Olubunmi Nwaka and Goodluck Chinenye Kadiri
Heart of Rwanda through the interconnected concepts of colonial Othering, fractured identity, dehumanisation, memory, and reconciliation. It argues that Tadjo’s representation of the 1994 Rwandan genocide challenges explanations that … stable sense of self. The article argues that Tadjo does not represent memory merely as an act of preserving the past but as an ethical response to historical violence. Through
Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
womanhood, while studies of Kamau Brathwaite have largely focused on Caribbean history, African cultural memory, colonialism, diaspora, nation language, rhythm, and formal experimentation. However, the relationship between psychological experience … poems by Angelou and Brathwaite provide important means through which psychological conflict, traumatic experience, memory, resilience, and identity are articulated. The study is theoretically grounded in trauma and embodiment studies
Onesimus Azunwanna and Comfort Adeleke-Adeniji
extensive media coverage and strategic political communication. Yet scholarly attention focuses on collective memory and its role in shaping national identities, with limited attention to trauma as a rhetorical strategy … central position in contemporary war rhetoric, serving as a powerful mechanism for negotiating identity, memory, power, and legitimacy within conflict situations
Isaac Ojo Atere and Chukwunomsue Juliana Nwazodoni
structures and worldviews of African communities. Drawing on literature as a repository of cultural memory, the study examines Achebe’s representation of Igbo communal life, oral traditions, religious beliefs, governance … Frantz Fanon’s theory of national culture and Jan Assmann’s theory of cultural memory. Using qualitative textual analysis, the study demonstrates that these representations are neither static nor merely
Chidiebere Chukwuemeka Eze, Thomas-Michael Emeka Chukwumezie, Kenneth Ahaiwe C., Chinasa Abonyi and Henrietta Okafor
colonial dependency. However, the novels also present indigenous languages, oral traditions, cultural memory and hybrid speech as forms of epistemic resistance that restore communal and sustainable relationships with the land
T. O. Adesanmi
deixis operates simultaneously as a philosophical claim and a technology of reflection in African memorial discourse
Caroline Olubunmi Nwaka and Anthonia-Greg Nwanekwu Chibuoke
focuses on how patterns of rhythmic regularity and deviation shape voice, emphasis, emotional tension, memory, identity, and representations of social experience. The analysis demonstrates that Brooks frequently adapts the rhythms
Deborah Nwakuba, Somtochukwu Ogbuehi and Caroline Nwaka
theoretical framework. Trauma theory further guides the analysis of how traumatic experiences disrupt memory, selfhood, and narrative coherence. The study shows that The Middle Daughter portrays trauma as both personal
Chidi Nwankwo, Kenneth Ahaiwe and Chuka Ononye
friction or interpersonal incivility. Rather, it functions as a strategic vehicle for weaponised historical memory, ethno-regional identity construction, institutional delegitimisation, and the socio-cognitive pathologisation of political dissent. Ultimately