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1. Literary Theory and CriticismVolume 24, Issue 1 (September 2024)pp. 85–101PDF of Titles as Conceptual Metaphors of Coloniality in Selected African Novels

   Titles as Conceptual Metaphors of Coloniality in Selected African Novels

   Chidiebere Chukwuemeka Eze and Thomas-Michael Emeka Chukwumezie

   Titles often provide condensed representations of the thematic and ideological concerns of

2. Literary Theory and CriticismVolume 22, Issue 1 (September 2022)pp. 1–15PDF of Ambiguity and the Modernist Question: Characterising Estrangement in Selected African Novels

   Ambiguity and the Modernist Question: Characterising Estrangement in Selected African Novels

   Chinasa Abonyi

   Modern African literature since its inception explores several modernist tensions such as

3. Literary Theory and CriticismVolume 25, Issue 1 (September 2025)pp. 107–128PDF of The Novel as a Cultural Artefact in Africa

   The Novel as a Cultural Artefact in Africa

   Isaac Ojo Atere and Chukwunomsue Juliana Nwazodoni

   interrogating traditions that generate exclusion, conflict and gendered oppression. The paper concludes that the African novel functions as a cultural artefact through which African writers reclaim histories, preserve indigenous knowledge

4. Literary Theory and CriticismVolume 21, Issue 2 (September 2021)pp. 20–38PDF of Archetype and the Image of the Woman in Amu-Nnadi’s A Field of Echoes

   Archetype and the Image of the Woman in Amu-Nnadi’s A Field of Echoes

   Chinasa Abonyi, Chidi Eze and Chinonye Okemuo

   Field of Echoes. Although, the image of the woman has been investigated in many African novels, not much attention has been given to the image focusing on these archetypal models

5. Literary Theory and CriticismVolume 21, Issue 2 (September 2021)PDF of Archetype and the Image of the Woman in Amu-Nnadi’s A Field of Echoes

   Archetype and the Image of the Woman in Amu-Nnadi’s A Field of Echoes

   Chinasa Abonyi, Chidi Eze and Chinonye Okemuo

   Field of Echoes. Although, the image of the woman has been investigated in many African novels, not much attention has been given to the image focusing on these archetypal models