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Okoro, Harmony Ezinne and Omoregie, Blessing Onaiwu Eyonju
victims subjects of media and societal scrutiny, mockery and objects of caricature. Reading Chimamanda Adichie’s Dream Count, this study applies the implicit bias theory as the primary framework … rape law in sexual violence involving migrant African women and men-in-power using Adichie’s Dream Count
Chiagozie Eburuaja
This study examines the discursive construction of female identity in Adichie’s Dream Count. Existing studies have examined identity construction in social media, naming practices, promotional discourse, and selected literary … works, including Adichie’s Half of a Yellow Sun and Purple Hibiscus, but limited attention has been given to Dream Count. To address this gap, the study analyses purposively selected
Christian Onah and Emmanuel Jibb Adams
This study applies Critical Stylistics to Festus Iyayi’s Violence and Chimamanda Ngozi Adichie’s Purple Hibiscus to examine how the linguistic choices of both authors construct and communicate ideologies … applying this Critical Stylistics model to Iyayi’s Heroes and The Contract, and to Adichie’s Half of a Yellow Sun and Americanah, is recommended to test whether these ideological
Eze Nnaemeka Richard and Obasi Ngozika Linda
Existing scholarship on Chimamanda Ngozi Adichie’s Americanah has examined racism, racial identity, diaspora, gender, hair, language, and immigrant experiences. However, the specific ways racial microaggressions shape the negotiation
Chidiebere Chukwuemeka Eze, Thomas-Michael Emeka Chukwumezie, Kenneth Ahaiwe C., Chinasa Abonyi and Henrietta Okafor
relationship between linguistic hegemony and environmental consciousness in postcolonial Africa through Chimamanda Ngozi Adichie’s Purple Hibiscus and Zakes Mda’s The Heart of Redness. Drawing from Anibal Quijano
Chinasa Abonyi
this essay examines the uncanny, which comes with the detachment of characters in Chimamanda Adichie’s Purple Hibiscus, Tanre Ojaide’s The Activist, and Nawal El’ Saadawi’s Woman
Chidiebere Chukwuemeka Eze and Thomas-Michael Emeka Chukwumezie
titles of Ngugi wa Thiong’o’s Wizard of the Crow, Chimamanda Ngozi Adichie’s Purple Hibiscus, Zakes Mda’s The Heart of Redness and Alaa Al Aswany